In the cinematic universe of David Lynch, sound is more than just window dressing—it is a visceral, unsettling character. His works, from the industrial cacophony of Eraserhead to the unsettling orchestral textures of Blue Velvet and the dreamy, fragmented soundscapes of Mulholland Drive, underscore the power of sound in cinematic storytelling. Join us as we explore the depth of Lynch's sonic palette and what lessons we can learn from his unique approach to sound design.

Speaker Bio: Jeff Hinton is a Sound Designer, Audio Mixer, and owner of Blind Cinema Sound, an audio post-production facility located at Wilmington's Cinespace shooting stages. A recent transplant, he worked in New York City music and audio post-production studios for over 25 years. Jeff builds storytelling through sound, with credits including The Summer I Turned Pretty, Survival of The Thickest, Pretty Ugly, The Runarounds, and the Oscar-nominated short film Time Freak. He is a member of the Motion Picture Editors Guild (Local 700) and the Motion Picture Sound Editors.